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DTSTART;VALUE=DATE:20220916
DTEND;VALUE=DATE:20230501
DTSTAMP:20260414T161738
CREATED:20220919T141213Z
LAST-MODIFIED:20220921T181326Z
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SUMMARY:Gather Together: Chicago Street Photography by Diane Alexander White
DESCRIPTION:In this new exhibition\, the Chicago-based Greek American photographer presents 80 historic works showcasing Chicago’s Greek American celebrations alongside other ethnic and cultural festivals and parades\, primarily from the 1970s and 1980s. Depicted events include the Greek Independence Day Parade\, Bud Billiken Day Parade\, Chinese New Year Parade\, Mexican Civic Society Parade\, Jewish Festival and many more. \nThe National Hellenic Museum’s mission is to share Greek history\, art and culture\, and the Greek American experience. Diane’s works vividly capture how Chicago’s Greek American community gathers in the public space to show pride in its identity and share its culture. Through her images of other ethnic and cultural celebrations\, Diane also explores the universality of how Chicagoans gather together to show pride in their diverse communities. \nGather Together: Chicago Street Photography by Diane Alexander White will be exhibited at the National Hellenic Museum through April 30\, 2023. Museum hours are Thursday-Sunday from 10 a.m.-4 p.m. For more information\, visit nationalhellenicmuseum.org or call 312-655-1234. \n  \nADMISSION TO NHM:\n\n\n\n\nAdults:\n$10\n\n\nSeniors:\n$8\n\n\nStudents:\n$8\n\n\nChildren:\n$7\n\n\nChild under 3 years:\nFREE\n\n\nMembers:\nFREE
URL:https://www.chicagoculturalalliance.org/event/gather-together-chicago-street-photography-by-diane-alexander-white/
LOCATION:National Hellenic Museum\, 333 S. Halsted St.\, Chicago\, IL\, 60661\, United States
CATEGORIES:Exhibitions and Gallery Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230120
DTEND;VALUE=DATE:20230326
DTSTAMP:20260414T161738
CREATED:20230126T170352Z
LAST-MODIFIED:20230126T170352Z
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SUMMARY:The Promised Land
DESCRIPTION:Eleven artists with ties to North and South of the Mason-Dixon Line respond to just how much Black life has always been in transit. \n  \nThe Great Migration was one of the largest movements of people in United States history. It has transformed cities like Chicago\, Detroit\, New York and Pittsburgh between 1916 and 1970. Chicago received more than 500\,000 Black Southern Americans during this time.\n  \nTo Southern Blacks\, Chicago was considered the “Promised Land”. Stories of big city life — jobs with good wages\, homes with running water\, and basic freedoms denied to Blacks in the South — made the Northern city a prime destination for Blacks coming from below the Mason-Dixon line. As the most documented migration in US history\, photographers like Gordon Parks\, Florestine Perrault Collins\, Moneta Sleet Jr.\, Roy DeCarava\, and Coreen Simpson created imagery that demonstrated Black life in movement.\n\nToday\, contemporary artists and image makers respond to the many migrations of African Diaspora peoples and the influences of these movements in their work.
URL:https://www.chicagoculturalalliance.org/event/the-promised-land/
LOCATION:South Side Community Art Center\, 3831 S. Michigan Ave.\, Chicago\, IL\, 60653\, United States
CATEGORIES:Exhibitions and Gallery Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230121
DTEND;VALUE=DATE:20230403
DTSTAMP:20260414T161738
CREATED:20230207T161517Z
LAST-MODIFIED:20230207T161517Z
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SUMMARY:Arctic Highways
DESCRIPTION:This exhibit discusses the exploitation of Indigenous land and how imposed borders of nation-states have erased the natural land borders used by Indigenous peoples. Nine Sami artists and three Indigenous artists from Canada and the United States want to use this exhibit to start a dialogue\, raise questions\, and establish waypoints between their culture and ours. This exhibit takes us on a journey through an Arctic highway of culture and life\, stretching from the past into the future.
URL:https://www.chicagoculturalalliance.org/event/arctic-highways/
LOCATION:Swedish American Museum\, 5211 N. Clark St.\, Chicago\, IL\, 60640\, United States
CATEGORIES:Exhibitions and Gallery Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230129
DTEND;VALUE=DATE:20230424
DTSTAMP:20260414T161738
CREATED:20230123T212326Z
LAST-MODIFIED:20230123T212326Z
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SUMMARY:The Negro Motorist Green Book
DESCRIPTION:“The Negro Motorist Green Book” guided Black Americans to thousands of businesses for over thirty years. When the first “Green Book” was published\, the American road was a metaphor for freedom: freedom to change your present situation\, determine your destiny\, and travel. Yet\, in 20th-century America\, this same road was a dangerous place for Black travelers. The land was divided by segregation — through policy and through custom. For Black people\, the prejudice was severe: a systematic effort to deny their basic human rights. In an era of Jim Crow laws and “sundown towns\,” communities that explicitly prohibited Black travelers from staying overnight\, the “Green Book” offered critical\, life-saving information and sanctuary. \nNow\, through The Negro Motorist Green Book\, visitors will explore film\, photographs\, interactives\, and oral histories from travelers and “Green Book” business owners; compare “Green Book” sites then and now; and appreciate historical objects from the Smithsonian and from a variety of “Green Book” sites. The exhibition includes artifacts from business signs and postcards to historic footage\, images\, and firsthand accounts that illustrate not just the apprehension felt by Black travelers\, but also the resilience\, innovation\, and elegance of people choosing to live a full American existence. \nDeveloped by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with award-winning author\, photographer\, and cultural documentarian\, Candacy Taylor\, Green Book offers an immersive look at the historic reality of travel for Black Americans and how the guide served as an indispensable resource for the rise of the Black leisure class in the United States. The exhibition highlights destinations created by Black Americans and strategies that affirmed their humanity\, their worth\, their light\, and their lives – and how it was done with ingenuity\, community\, and with help from Victor Green and his travel guide: “The Negro Motorist Green Book.”
URL:https://www.chicagoculturalalliance.org/event/the-negro-motorist-green-book/
LOCATION:Illinois Holocaust Museum & Education Center\, 9603 Woods Drive\, Skokie\, IL\, 60077\, United States
CATEGORIES:Exhibitions and Gallery Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230201
DTEND;VALUE=DATE:20230301
DTSTAMP:20260414T161738
CREATED:20230216T181855Z
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SUMMARY:Black Family Portraits with Seed Lynn
DESCRIPTION:For this Black History Month\, we’re thrilled to partner with photographer Seen Lynn to offer free family portrait to our community! \n\n\nThe Black family portrait\, throughout history to the present\, has always been an accessible\, but vivid practice of self-representation that offers a more genuine and realistic portrayal of Black identity and dignity. Whether being made candidly within the family\, or posing for a staged portrait\, Black family portraits continue to reveal the inherent beauty\, resilience\, diversity\, and style of our people and culture. \nLearn more about our guest photographer below:
URL:https://www.chicagoculturalalliance.org/event/black-family-portraits-with-seed-lynn/
LOCATION:South Side Community Art Center\, 3831 S. Michigan Ave.\, Chicago\, IL\, 60653\, United States
CATEGORIES:Exhibitions and Gallery Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230205
DTEND;VALUE=DATE:20230313
DTSTAMP:20260414T161738
CREATED:20230206T154426Z
LAST-MODIFIED:20230206T154426Z
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SUMMARY:UNITY\, Maggie Wong
DESCRIPTION:The Spotlight Series at the Chinese American Museum of Chicago is pleased to present UNITY\, Maggie Wong’s first solo exhibition in Chicago. \nThrough various manipulations of newsprint via sculptural and print interventions pulled from the artist’s collection of Unity Newspaper\, the show depicts a version of childcare that supported revolutionary action\, particularly the publishing of Unity by the League of Revolutionary Struggle\, a radical communist group that emerged in 1978 upon the merger between the August 29th Movement\, a Chicano revolutionary organization\, and I Wor Kuen\, an Asian American revolutionary organization\, both influenced by Mao and followed Marxist-Leninist thought. \nThis system is what raised the artist and countless other now-grown adults that now serves as a point of departure to feel through a movement as a mothering environment. \nAbout the Artist:\nMaggie Wong (b.1988\, Oakland\, CA) is a visual artist attuned to materiality and sculpture’s disciplinary capacity to shape social space. She creates multidisciplinary works that focus on care labor\, sentimentality\, and collectivity. As a teacher. Maggie is interested in the interplay between informal and experiential education amidst formal art ecologies. She holds an MFA from the School of the Art Institute of Chicago (SAIC). She is currently the Educator-in-Residence at the Luminary\, and lecturer at SAIC. Her work has been shown at Mana Contemporary Chicago\, Comfort Station\, Annas Projects\, take care (LA)\, Temple Contemporary\, YBCA\, and 99cent Plus\, and has been written about in ArtForum and Sixty Inches from Center. Her writing has been published by Yale University Press\, Viral Ecologies\, and the Journal of Art Practice.
URL:https://www.chicagoculturalalliance.org/event/unity-maggie-wong/
LOCATION:Chinese American Museum of Chicago\, 238 W. 23rd St\, Chicago\, IL\, 60616\, United States
CATEGORIES:Exhibitions and Gallery Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230210
DTEND;VALUE=DATE:20230224
DTSTAMP:20260414T161738
CREATED:20230206T161301Z
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SUMMARY:Saekdong & Fashion
DESCRIPTION:‘Saekdong & Fashion’ Solo Exhibition\n김윤 개인전\n덕성여자대학교 의상디자인전공 부교수 \nExhibition: Feb. 10-Feb. 23\n@KCCoC Gallery\n9925 Capitol Dr. Wheeling\, IL. 60090\nInquiry: (847) 947-4460 \n패션디자인의 표현 영역 중 하나인 패션일러스트레이션은 기존의 패션 드로잉(일러스트레이션)이라는 인식에서 벗어나 빠르게 변화하는 패션 산업 속에서 패션의 새로운 장르로 발전하고 있다. 패션일러스트레이션의 융합적 표현기법 개발을 통해 패션디자인 영역의 대중화와 표현의 폭을 넓히는 작가의 활동은 패션 예술성의 확장과 패션산업의 무경계화적 발전을 보여준다. \nK-Fashion은 다양한 영역에서 표현되고 있다. 이번 작품에서 작가는 글로벌화되어진 K-Fashion의 예술적 범위와 실험적 아이디어 표현 영역을 확장하였다. 특히 한국 전통 패션의 대표적 색과 패턴인 ‘색동’을 통해 한국의 패션이 얼마나 빠르게 글로벌 패션에 스며들고 있는지를 보여주고자 한다. 또한 미니멀한 ‘도형화’로 표현한 한글의 일부를 한국 전통 스트라이프 패턴인‘색동’과 함께 디자인함으로써 K-Fashion의 세련되고 미니멀함을 한국적 색채로 보여준다. \n작가는 핸드크래프트적 아날로그 기법으로 한국 전통 원단에 표현한 핸드 스티치와 핸드드로잉을 사용하였고\, 조형적 특성 강조를 위해 디지털 프로그램을 함께 활용하는 융합적 표현을 보여준다. 이를 통해 패션일러스트레이션 표현의 새로운 방향성을 제시하고 패션일러스트레이션 관련 연구의 범위를 확장하였다. 또한 글로벌 패션산업에서 활용하기 적합한 K-Fashion의 디자인 표현 영역을 넓히는 특별한 전시가 될 것이다.\n \n‘Saekdong & Fashion’\nYoon Kim Solo Exhibition\nAssociate Professor\, Dept. of Fashion Design\, Duksung Women’s University \nExhibition: Feb. 10-Feb. 23 \n@KCCoC Gallery\n9925 Capitol Dr. Wheeling\, IL. 60090\nInquiry: (847)947-4460 \nFashion illustration\, one of the expression areas of fashion design\, is developing into a new genre of fashion in the fast-changing fashion industry\, breaking away from the existing perception of fashion drawing (illustration). The artist’s activities to popularize the fashion design field and expand the range of expression through the development of convergent expression techniques of fashion illustration show the expansion of fashion artistry and the borderless development of the fashion industry. \nK-Fashion is expressed in various areas. In this work\, the artist expanded the artistic range of globalized K-Fashion and the experimental expression of ideas. In particular\, we want to show how quickly Korean fashion is permeating into global fashion through ‘Saekdong’\, a representative color and pattern of Korean traditional fashion. In addition\, by designing a part of Hangeul\, which is expressed in minimal ‘figure painting’\, along with ‘Saekdong’\, a traditional Korean stripe pattern\, it shows the refined and minimalism of K-Fashion in Korean colors. \nThe artist used hand stitches and hand drawings expressed on Korean traditional fabrics with handcrafted analog techniques\, that shows a convergence of expressions using digital programs together to emphasize formative characteristics. Through this\, a new direction of fashion illustration expression was created and the scope of research related to fashion illustration was expanded. It will also be a special exhibition that expands the realm of K-Fashion design expression suitable for use in the global fashion industry.
URL:https://www.chicagoculturalalliance.org/event/saekdong-fashion/
LOCATION:Korean Cultural Center of Chicago\, 9925 Capitol Dr\, Wheeling\, IL\, United States
CATEGORIES:Exhibitions and Gallery Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230210
DTEND;VALUE=DATE:20230619
DTSTAMP:20260414T161738
CREATED:20230206T163446Z
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SUMMARY:Tilling the Past
DESCRIPTION:From 1908 to the mid 1930’s\, Hilma Ljung photographed the village of Svalöv with her 4×5 glass plate view camera\, showing us a rural Swedish woman’s life.
URL:https://www.chicagoculturalalliance.org/event/tilling-the-past/
LOCATION:Swedish American Museum\, 5211 N. Clark St.\, Chicago\, IL\, 60640\, United States
CATEGORIES:Exhibitions and Gallery Events
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230218T080000
DTEND;TZID=America/Chicago:20230416T170000
DTSTAMP:20260414T161738
CREATED:20230213T182249Z
LAST-MODIFIED:20230213T182318Z
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SUMMARY:Aesthetics of Loss
DESCRIPTION:AESTHETICS OF LOSS is a collection of work by seven artists who have experienced loss of family members recently. Their studios became places for grieving and understanding the sudden vacuum of losing loved ones either suddenly or over a long period of illness. Caregiving\, memory\, helplessness\, loss and the ultimate mystery of death are explored through painting\, print-making\, fibers\, ceramics\, photography\, installation and video. Some artists utilize objects and clothing left behind by their loved ones and transform them into artworks and some use ritual and natural materials as memorial or commemorative actions of grieving and coming to terms. \nEbti is a multidisciplinary artist\, a self-taught photographer and a translator living between Cairo and San Francisco. She received her MFA in Fine Art from the California College of the Arts in 2021. Her practice is informed by languages\, theater\, literature\, music and her family’s making-traditions she never got to learn. Through this multi- faceted\, dislocated lens she looks at the ideas of home\, belonging\, and attachment. Though her work is rooted in photography\, she is constantly looking for new materials and methods that will best translate her ideas. Once she starts working on a project\, she embraces notions of accident and failure. Her practice is ever-evolving and is influenced by her restlessness. \nCassidy Early (b. 1994\, Worcester\, MA) is a nonbinary Scottish American artist living and working in Chicago\, IL. They graduated from the School of the Art Institute of Chicago with a MFA in Painting in 2020 and received their BFA from Boston University’s College of Fine Arts in 2016. Early’s work has been featured in a solo exhibition with Lauren Powell Projects\, (Los Angeles\, CA)\, a three person exhibition with Olympia (New York\, NY)\, and larger group exhibitions with La Loma Projects (Pasadena\, CA)\, Green Gallery (Milwaukee\, WI)\, The Salon at The Wing Chicago (Chicago\, IL)\, and in I Like Your Work\, Podcast. Their work has been published alongside Garth Green- well’s essay Making Meaning: Against Relevance in Art in Harper’s Magazine (Nov. 2020)\, and as the LVL3 Artist of the Week (Nov. 2020). \nBrianna L. Hernández is a Chicana artist\, curator\, educator\, and death doula guided by socially-engaged values. In developing as an artist\, Brianna credits her late mother\, Sylvia D. Hernández\, as her most significant mentor. Brianna’s studio practice focuses on end-of-life care\, grieving processes\, and mourning rituals based on lived experience\, cultural research\, and collaborations with peers. In addition to formal artworks\, she offers workshops or viewers to self-educate on grief and end-of-life planning through the safety of the creative process. As a curator\, Brianna works with artists to make socially-charged topics publicly accessible in order to create opportunities for education and empathy. She also collaborates with community health researchers to incorporate the arts into public health projects through curatorial consulting. Brianna proudly serves as Director of Curation and Board Secretary at Ma’s House & BIPOC Art Studio on the Shinnecock Indian Reservation in Southampton\, New York. \nLinda b. Marcus (b. 1961\, Los Angeles\, California) is a multidisciplinary artist living and working in Milwaukee\, Wisconsin. Drawing on her long history as a storyteller in journalism and fashion\, Marcus now focuses on fiber\, sculpture and photography. Marcus’s work has been exhibited widely in Wisconsin including the Museum of Wisconsin Art\, The Trout Museum\, the Wisconsin Museum of Quilts and fiber arts and the Charles Allis Museum as well as numerousgalleries and in several publications. Marcus is currently pursuing her MFA at the School of The Art Institute in Chicago\, Illinois. Marcus has been awarded several residencies including on at the Massachusetts Museum of Contemporary Art. Currently\, Marcus is the creative director for the Saint Kate Arts hotel in Milwaukee where she continues to push the limits of contemporary art and provide a platform for other artists. \nJessica Meuninck-Ganger’s prints\, artist’s books and large-scale hybrid media works have been exhibited in museums and both experimental and commercial galleries regionally\, nationally and internationally. Her art is included in several private and public collections\, including the Weisman Museum of Art\, Marcus Corporation (Saint Kate Arts Hotel)\, Northwestern Mutual\, Target Corporation\, and in contemporary publications\, such as Andrea Ferber’s\, Sustenance: Contemporary Printmaking Now\, Richard Noyce’s\, Printmaking Beyond the Edge\, and Nathaniel Stern’s\, Interactive Art and Embodiment: The Implicit Body as Performance. Jessica earned a Bachelor of Science degree in Art Education from Ball State University\, Muncie\, Indiana and MFA in Studio Arts from the Minneapolis College of Art and Design\, Minneapolis\, Minnesota. She is currently the Print and Narrative Forms Area Head and Associate Professor at the University of Wisconsin\, Milwaukee\, Wisconsin\, USA. \nNirmal Raja is an interdisciplinary artist living and working in Milwaukee. She had lived in India\, South Korea\, and Hong Kong before immigrating to the United States thirty-two years ago. She holds a BA in English Literature from St. Francis College in Hyderabad\, India; a BFA from the Milwaukee Institute of Art and Design\, and an MFA from the University of Wisconsin Milwaukee. She has participated in solo and group shows in the Midwest\, nationally\, and internationally. She is the recipient of several awards including Graduate of The Decade from the University of Wisconsin\, Milwaukee. Raja received the Mary L. Nohl Fellowship for individual artists for the year 2020 and the Mildred L. Harpole Artists of the Year 2022 award from the Milwaukee Arts Board. She collaborates with other artists and strongly believes in investing energy into her immediate community while also considering the global. She is a mentor for the Milwaukee Artists Resource Network’s mentorship program. She periodically curates exhibitions that bring people from different cultures and backgrounds together. Raja is represented by Portrait Society Gallery in Milwaukee. \nAnders Zanichkowsky is a transgender artist from the Midwest. They have had residencies with The Arctic Circle sailing expedition in Svalbard\, Røst AiR in Sápmi/Norway\, and the Chicago Park District’s Cultural Asset Mapping Project. Their work has been exhibited across the United States\, Europe\, and Australia\, including the Wisconsin Film Festival. Anders has received awards for their studio practice\, public art projects\, and international research\, including a SPARK grant from the Chicago Artists Coalition and a Temkin Award for their MFA thesis show\, You Are Running Into Danger. Anders has an MFA from the University of Wisconsin-Madison (2019) and a BA from Hampshire College (2008).
URL:https://www.chicagoculturalalliance.org/event/aesthetics-of-loss/
LOCATION:Ukrainian Institute of Modern Art\, 2320 W Chicago Ave\, Chicago\, IL\, 60622\, United States
CATEGORIES:Exhibitions and Gallery Events
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