A three-person exhibition featuring new and recent works from Chicago-based artists Ajmal ‘Mas Man’ Millar, Lola Ayisha Ogbara, and R. Treshawn Williamson exploring homeplace through sculpture, self-imaging, & materialism.
…of the land: acts of refusal and ratification features new and recent works from Chicago-based artists Ajmal ‘Mas Man’ Millar, Lola Ayisha Ogbara, and R. Treshawn Williamson exploring sculpture, self-imaging and history through postcolonial lenses, collective & individual recollection and peculiar materialism. Their use of storytelling holds significance for spatiality and locality to become common ground through the fielding of land, labor and industry.
Ajmal ‘Mas Man’ Millar expands the sculptural form welding metal, Trinidadian carnival culture and identity politics alongside the African diaspora. Lola Ayisha Ogbara merges West African and African American interior design aesthetics with bodily sculptural ceramic forms, with performative photography – that rest and refuse a Western gaze.
R. Treshawn Williamson creates historical context for his own familial roots in the mining of charcoal material for large scale screen-printed tapestries in a careful consideration of laborious processes as praxis. Millar, Ogbara and Williamson engage in practices that consider topographic timelines and performance as an essential tool making for an interesting dialogue about homeplace.
A three-person exhibition featuring new and recent works from Chicago-based artists Ajmal ‘Mas Man’ Millar, Lola Ayisha Ogbara, and R. Treshawn Williamson exploring homeplace through sculpture, self-imaging, & materialism.
…of the land: acts of refusal and ratification features new and recent works from Chicago-based artists Ajmal ‘Mas Man’ Millar, Lola Ayisha Ogbara, and R. Treshawn Williamson exploring sculpture, self-imaging and history through postcolonial lenses, collective & individual recollection and peculiar materialism. Their use of storytelling holds significance for spatiality and locality to become common ground through the fielding of land, labor and industry.
Ajmal ‘Mas Man’ Millar expands the sculptural form welding metal, Trinidadian carnival culture and identity politics alongside the African diaspora. Lola Ayisha Ogbara merges West African and African American interior design aesthetics with bodily sculptural ceramic forms, with performative photography – that rest and refuse a Western gaze.
R. Treshawn Williamson creates historical context for his own familial roots in the mining of charcoal material for large scale screen-printed tapestries in a careful consideration of laborious processes as praxis. Millar, Ogbara and Williamson engage in practices that consider topographic timelines and performance as an essential tool making for an interesting dialogue about homeplace.
_______________
Ajmal ‘MAS MAN’ Millar is a self-taught contemporary visual artist and mas man (carnival costume designer). His work includes mixed–media sculpture that combine collage, painting, repurposed materials, scrap metal, performance, and photography interrogating notions of cultural heritage, sexual and gender identity, and ritual practices as a first-generation African American black queer man born to Trinidadian immigrants. Ajmal earned an undergraduate degree from Morehouse College in 2008 and earned an MFA from The School of the Art Institute of Chicago in 2021.
“I am working on a collection of works engaging the Yoruba cosmological concept of Chi and its existence in everything, alive or inorganic. I create amalgamations of found objects and scraps of steel combined with encaustic. Inspired from my carnival technique of ‘wire bending’, Afrofuturism, and Afro Surrealism, I have an opportunity to express my emotions and thoughts as experienced in the various environments I collect from and exist in. My welding is drawing in space to depict the transcendent properties in masquerade. My goal is to contextualize a queer blackness rarely experienced through imagination, invention, and the investigation of dreams, magic, and ritual.”
He currently lives and works in Chicago, IL.
Lola Ayisha Ogbara (cultural worker & artist) born and raised in Chicago, Illinois holds many talents under her belt, i.e. sculpture, sound, design, photography and installation art.
“My practice explores the multifaceted implications and ramifications of being in regards to the Black experience. I work with clay as a material in order to emphasize a necessary fragility which symbolizes an essential contradiction implicit in empowerments.”
Ogbara holds a Bachelor of Arts in Arts Entertainment & Media Management from Columbia College Chicago in 2013 and a MFA in Visual Arts from Washington University Sam Fox School of Art & Design.
In 2017, Ogbara co-founded Artists in the Room, a collective of artists and scholars who host artists, emerging and established, in hopes of serving as a catalyst for artist development and networking. Ogbara has also received numerous fellowships and awards, including the Multicultural Fellowship sponsored by the NCECA 52nd Annual Conference, the Arts + Public Life and Center for the Study of Race, Politics & Culture Residency at the University of Chicago, and the Coney Family Fund Award hosted by the Chicago Artists Coalition. Ogbara has exhibited in art spaces across the country and is currently based in Chicago, IL.
R. Treshawn Williamson is a Chicago based essayist and multidisciplinary artist of Black American descent, from Prince George’s County, MD, by way of Livingston, Alabama, and Augusta, Georgia.
Williamson’s work is a meditation on the obstruction and surveillance of the lived histories of African-Americans. He investigates the application of cultural re-imagination in the African Diaspora through the engagement of oral histories, post-colonial theory, folklore, and ethnomusicology. In 2020 Williamson earned his BFA from the School of the Art Institute of Chicago.
A film screening and community gathering in honor of the late Mama Gloria Allen.
Luchina Fisher will screen her film Mama Gloria, in addition to honoring the life and impact of Gloria Allen, a Black transgender icon and activist who dedicated her life to Chicago’s trans community.
Mama Gloria (2020) by Luchina Fisher. 1h 16m
Chicago’s Black transgender icon Gloria Allen (1945 – 2022) blazed a trail for trans people like few others before her. Emerging from Chicago’s South Side drag ball culture in the 1960s, Gloria overcame traumatic violence to become a proud leader in her community. Most famously, she pioneered a charm school for young transgender people that served as inspiration for the hit play Charm. Luchina Fisher’s empathic and engaging documentary is not only a portrait of a groundbreaking legend, but also a celebration of unconditional love, the love Gloria received from her own mother and that she gave to her chosen children.
Colleen McGaughey (she/her) is the director of development at the National Public Housing Museum, where she leads the strategic direction of the museum’s fundraising efforts with a focus on creative and community-centric approaches.
Mario Longoni
Board Member
Mario Longoni is a cultural anthropologist (“Lead Environmental Social Scientist”) in the Keller Science Action Center at the Field Museum. For over 20 years, he has worked with individuals and organizations to surface and activate cultural and natural assets (specific strengths and characteristics) to help communities meet the challenges they face.
Rob Fojtik
Board Member
Rob Fojtik is Vice President for Neighborhood Strategy at Choose Chicago, the city’s official tourism and convention promotion bureau. In this capacity, Rob oversees efforts to promote and support Chicago’s 77 neighborhoods to visitors from near and far. Programs include the award-winning Neighborhood Content Creator program that leverages resident-made digital content, and Chicago Alfresco, a $2.5 million placemaking initiative created in partnership with the Chicago Department of Transportation to transform public spaces into community plazas for outdoor enjoyment.
Before coming to Choose Chicago, Rob was a Senior Advisor to Mayor Lightfoot on economic development and international relations at City Hall, as well as LGTBQ+ affairs and the expanded outdoor dining program. In this role, he also worked to recommend and place over 150 civic leaders and residents onto City boards and commissions. Prior to government service in the Lightfoot administration, Rob ran her winning campaign in the crowded 2019 Chicago mayoral race as Chief of Staff. In past lives, Rob has worked as a public affairs manager for a Fortune 500 company downtown; had misadventures in management consulting, art sales, and personal cheffing; and spent time in Washington DC working for former Secretary of Defense William Cohen. Rob also served a one-year appointment at the U.S. Department of the Treasury’s Office of Terrorism and Financial Intelligence as a policy advisor on Central and Eastern Europe. In this role, he was part of the NSC’s interagency process to develop a comprehensive sanctions regime on Russia as a consequence of its 2014 invasion of Crimea and Eastern Ukraine.
After receiving his BA in Slavic Languages and Literature at Northwestern University, Rob lived and worked in the Czech Republic teaching English and tending bar before moving to Washington, D.C. to pursue a MA from the Georgetown University School of Foreign Service Center for Eurasian, Russian, and East European Studies (CERES). He enjoys cooking, learning foreign languages, hiking with his partner and their dog, and visiting Chicago’s many neighborhoods.
Paul Durica
Board Member
Dr. Paul Durica is the Director of Exhibitions at the Chicago History Museums and worked in a similar capacity at The Newberry Library. From 2015-2020, he served as the Director of Programs and Exhibitions with Illinois Humanities, the state affiliate of the National Endowment for the Humanities.
Prior to that he drew upon his work as a writer, researcher, and teacher to produce a series of free and interactive talks, walks, and reenactments focused on narratives from Chicago’s past that resonate with its present.
These public history programs led to collaborations with cultural institutions in the city such as the Jane Addams Hull-House Museum, Chicago History Museum, Newberry Library, Chicago Architecture Foundation, Museum of Contemporary Art, and the Chicago Cultural Center among others.
Each program made use of both his original research and the skills of the arts organizations, community groups, local businesses, and publications that acted as my partners. Some of these programs, such as the full-scale reenactment of the Haymarket Affair in 2011, involved recruiting and directing over 300 volunteers and 1,000 participants.
To produce these programs successfully, he wrote grants; managed budgets; generated web content; worked closely with program partners of varying sizes and resources; and identified, engaged, and sustained a diverse multi-generational audience.
Lynessa Rico
Board Member
Dr. Lynessa M. Rico is the Associate Chair of the Business Psychology Department at the The Chicago School of Professional Psychology Chicago campus. She is also a business mentor at 1871.
Lynessa is a results-driven Strategic Consultant with over 25 years of experience enabling leaders to meet strategic business objectives by identifying and aligning business growth opportunities with strategic direction of culturally diverse organizations. By leveraging her strategic experience in identifying and impacting business growth opportunities and maximizing profits in retail firms and higher education institutions, Lynessa leads workshops focused on the creative mindset, women’s entrepreneurship, emotional intelligence, and the value and application of design thinking within entrepreneurship education and entrepreneurial ecosystems. Her services also include consulting with and educating leadership on emotional intelligence, the power of design thinking and the creative mindset, and leadership styles to support inclusive, creative workplaces. She has presented to leadership and innovation teams in small, mid-size, and Fortune 500 companies.
Lynessa received her undergraduate degrees in Marketing and Management from Wichita State University. She then went on to earn a master’s degree in Business Administration from Wichita State University with a focus in Entrepreneurship and Innovation. After earning her master’s degree, Lynessa received her doctorate in Business Psychology from The Chicago School of Professional Psychology where she successfully completed her dissertation titled, “The Relationship Between Personality Types and Color Preference for Color Combinations.” Her current research interests include women’s entrepreneurship, design thinking, creativity, emotional intelligence, and entrepreneurship self-efficacy.
Outside of work and research, Lynessa enjoys mentoring start-ups and judging pitch competitions. Lynessa currently resides in Chicago, Illinois with her four cats. She is an avid long-distance runner, having completed 5 full marathons (and counting), and enjoys watching musical theater.
Briana Thomas
Board Member
Briana Thomas is the Museum Associate at the Abrahamic Center for Cultural Education (a core member of the Chicago Cultural Alliance). She wears many hats including developing exhibition content, facilitating community programs (children and adults), liaising with visitor artists, and other responsibilities. Her previous experience in the nonprofit space includes her tenure as the Financial Empowerment Coordinator at AMERICORPS Sharing Life Center as well as engaging with the public at the Dallas Arboretum. Her past professional experience has remained rooted in marginalized communities. It is their needs,discourse and histories that she has routinely been tasked with protecting and showcasing in the face of poor infrastructure, and willing ignorance. Creating safe spaces is an ancestral practice she has inherited.
